Last Picture Show director Peter Bogdanovich has died aged 82
The famous New Hollywood director of The Last Picture Show Peter Bogdanovich has died at the age of 82, his agent said on Thursday.
First an influential film critic, Bogdanovich began directing with Targets in 1968, before co-writing his ode to The Last Picture Show in the 1950s.
The coming-of-age movie set in a small town in Texas that has gone through tough times has garnered eight Oscar nominations, won two, and drew comparisons to Citizen Kane.
“I am devastated. He was a wonderful and brilliant artist. I will never forget to attend the premiere of The Last Picture Show,” his contemporary, director Francis Ford Coppola, said in a statement to AFP .
“I remember at the end the audience leapt up all around me clapping, lasting an easy 15 minutes. May they sleep happily ever after, forever enjoying the thrill of our applause. “, added Francis Ford Coppola.
Following other successes in the early 1970s, such as Barbra Streisand’s wacky comedy What’s Up, Doc? and Paper Moon, which won actress Tatum O’Neal the youngest Oscar in history at just 10, Bogdanovich’s own career has declined sharply.
He released a series of flops, including Daisy Miller and At Long Last Love.
Bogdanovich had an affair with Playboy model Dorothy Stratten, who was murdered by her husband before the release of Bogdanovich’s They All Laughed, her first lead role, alongside Audrey Hepburn.
He married his younger half-sister, but went bankrupt and returned from Los Angeles to New York, where he returned to writing film reviews.
In his later years, Bogdanovich became known to young moviegoers and moviegoers taking on acting roles including the psychiatrist of Tony Soprano’s own shrink in The Sopranos and a DJ in Quentin Tarantino’s Kill Bill.
Bogdanovich was born in Kingston, New York in 1939. No cause of death has been given.
“He was a dear friend and a champion of cinema. He gave birth to masterpieces as a director and was a most brilliant human,” tweeted director Guillermo del Toro.
“He has interviewed and dedicated to himself the lives and works of more classic filmmakers than almost anyone else of his generation.”
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